Sve sam živo pretražio na netu i nigdje ga nema, nema ni titlova, a tako bi ga pogledao, čini mi se da je ok.
Badoet satisfies all questions that may arise. At least, it did for me. Nothing feels overly forced or heavy-handed in its delivery. This is horror that feels authentic, if not slightly familiar. Part of me wants to call it “traditional”, but it isn’t. Not always. Badoet pulls no punches, and it’s an infinitely better film for it. That’s what makes Badoet a special and rare breed in the horror scene of 2015 – It’s surprisingly well balanced. There are times when the clown’s placement in a scene feels like something out of a classic slasher film, but then it’s coupled with a sort of supernatural atmosphere that gives it another vibe altogether. There isn’t an abundance of blood or gore, but the violence that does happen is the type of stuff that most filmmakers would shy away from. Badoet pulls no punches, and it’s an infinitely better film for it. While it’s certainly trying several different things, it commits to all of them, and that’s impressive. Badoet is a horror film for people that love horror films. It has imperfections and some (minimal) budgetary constraints, but the positives far outweigh the negatives. It’s atmospheric, has solid jump scares, taboo violence, and a story that is intriguing from open to close. There’s a lot to like here. I’ve seen a whole bunch of clowns in horror this year, but I think Badoet serves up the most varied, yet well-balanced clown tale that we’ve seen in years.
Review: Modern horrors
http://modernhorrors.com/badoet-review/